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That is what the designer was aiming for. Something makes you want to get involved in it. This “gentle organic and asymmetrical” sans-serif by Tobias Frere-Jones, Nina Stssinger and Fred Shallcrass is like a warm hug, a cozy reading corner, or tea. Skeena’s “diagonally sheared terminals” make it stand out more. “We wanted to create a humanist sans-serif with generous proportions and higher than normal stroke contrast (also known as the change in weight between thick and thin letters),” Hudson said. Skiner This sans-serif by John Hudson and Paul Hanslow is compact and easy to read as a text or presentation title, but it may be the most quirky. “When I think of the Swiss type, I think of the Alps, and because I’m based in Boulder, my Alps are in the Rocky Mountains,” Mattson said. The name comes from one of Colorado’s 14,000-foot peaks.
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(Supplement: “grotesque” in designspeak is not a derogatory term, it refers to sans serif.) “In today’s world, the voice of grotesque typefaces is a bit human touch to feel more familiar and less institutional. “Swiss typography is good for grid-based typography, so I was attracted to the grotesque design like Helvetica,” says Mattson. For many typefaces, it’s easy to get confused by on-screen rendering where punctuation is too thin, tightly spaced, or easy to understand.”īeer Stadt Designed by Steve Mateson, Biastadt is an accurate line inspired by mid-century Swiss design. “I didn’t hesitate to be big and circular. “We were anxious for something very round, wide and crisp,” the designer said on a Microsoft blog. Designed by Erin McLaughlin and Wei Huang, it is easy to read even in small sizes, especially with large dots, accents and punctuation. Tenorite Tenorite looks like a traditional flagship sans-serif font, but it’s a bit easier to use. Here are five sans-serif candidates that Microsoft is calling on you to consider.You can send your favorites to on social media Microsoft365